portrait of a young man bronzino

Since 1846 to an Expanding Country, Art Bronzino gives his socially elevated model the opportunity to present himself to the world as sober, scholarly, thoughtful, yet by peeling back that pink curtain to reveal a statue of Bacchus, he suggests this young man's decorous pose is not the whole truth. 20-August 30, 1947, no. Visiting Karl Lagerfeld: A Line of Beauty or Van Goghs Cypresses? [4] Her pointlitis well taken in and that inclusion of this type of detail is more a mark of Bronzinos work in the 1540s than of the late 1520s. Not to mention the aloofness and confidence associated witharistocrats. Knoedler: One Hundred Years, 1846-1946. , exh. Distinguishing features: This is a sly, ambiguous painting, depicting youth as intense and foolish, innocent and lascivious. Bronzino - Portrait of a Young Man In the 1969 record of it in an exhibition of treasures from the art institute it was named a Portrait of an Author. In both cases this may suggest that as the copyist, whose touch is harder and more formal than the charming and warm face Bronzino has created of his friend, substituted the text of the account ledger Sofferoni works in with something more generically like literature, thereby altering the picture into a more normal portrait of a writer. nos. Although the sitter cannot be identified, he is likely a member of Bronzino's close circle of literary friends. 2. , Colorado Springs Fine Arts Center, July The sitter is not known, but he must have belonged to Bronzino's close circle of literary friends in Florence, a number of whom sat for the artist.Bronzino himself composed verses in the style of the great Florentine poet Petrarch (1304-1374), and the fanciful and witty details in this picturethe carved grotesque . Portraits of Cosimo de Medici (Ann Arbor: University Microfilms Matteo was the brother or step-brother of Dianora Sofferoni, the mother of Alessandro Allori. of the Highly Important Collection of Drawings by J.M.W. Eliot W. Rowlands, Italian Paintings, 1300-1800: Carved on this table is, what appears to be, a grotesque face! However, an image of this painting is not available to download. This is a young man emerging into the adult world. Certain aspects of Mannerism are anticipated in the work of Andrea del Sarto (14861530). cat. 310-11, no. The pink drapery behind him is erotic, setting off the blush on his cheek and lips. Il Bronzino | Biography, Paintings, Style, & Facts | Britannica Museo Nacional Thyssen-Bornemisza Collection Exhibitions Activities Education Agnolo di Cosimo di Mariano Tori, known as Bronzino, was one of the leading artists of Florentine Mannerism. This portraitamong Bronzino's most arrestingwas painted in the 1530s. If you want moreart fun, theres plenty ofblog postsfor you to check up on! Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, Kansas He sure has the money to pay foreducation and nice clothes. 5, as not by Pontormo. Part of the previous generation of artists that included Andrea del Sarto, Fanciabigio provides instructive comparisons in his portraits of A Steward of the Medici-Jacopo Cennini (Hampton Court, no. Taylor, Esq. nat. Bronzino (Agnolo di Cosimo di Mariano) | Portrait of a Young Man | The It reminds me of the saying,a man of many masks.. Paris, April 23- May 24, 1913, no. Photocopy in the Getty Research Institute, Los Angeles, Ellis K. Waterhouse On the Knight of Rhodes also see Bastian Eclercy in Maniera: Pontormo, Bronzino and Medici Florence, Bastian Eclercy, ed. (Indianapolis: The Bronzino himself composed verses in the style of the great Florentine poet Petrarch (13041374), and the fanciful and witty details in this picturethe carved grotesque heads on the table and chair and the masklike face suggested in the folds of the youth's breecheswould have been appreciated by writers as comments on masks and identity. Adoration of the . Bronzino, like all 16th-century Florentine artists, worked in the shadow of Michelangelo. The Portrait of a Young Man in a Red Cap, the Portrait of Lorenzo Lenzi and the present portrait all depict men holding letters or books, a motif that had been well-established in Florentine portraiture and adapted from Northern painting of the fifteenth century. Keith Christiansen and Carlo cat. Phaidon Press, 1963), 43. Falciani, eds., The Medici: Portraits and [2] See Alessandro Cecchi, Famose Frondi di dui santi honori: un sonetto del Varchi e il ritratto di Lorenzo Lenzi dipinto dal Bronzino, Artista (1990), pp. 1912, and July 8, 1912), 7. Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1959), 65, Venus, goddess of love, steals an arrow from her son Cupids quiver as she kisses him on the lips. Thirteen An 1529-30 and The Portrait of a Young Man in a Red Cap Carlo Neroni? [6]In the other case, that of the Knight of Rhodes who looks up from reading a letter, only the date 1514 is legible. The Medici: Portraits and Politics, 15121570. 8-19; and the entry by Raffaele de Giorgi, in Bronzino: Artist and Poet at the Court of the Medci, Carlo Falciani and Antonio Natali, eds. storica-artistico-critica della citt e contorni di Firenze (Florence: cat. cat. Unframed: 33 3/4 x 27 inches (85.73 x 68.58 cm), Framed: 46 1/8 x 39 5/8 x 2 3/4 inches (117.17 x 100.66 x 6.99 cm), Information about a particular artwork or image, including provenance information, 130-33 (entry by Giada Damen and Davide Gasparotto). L.R., Honderdjarig Bestaan van M. Knoedler & Co., Phoenix: Maandschrift voor Beeldende Kunst 1, 6, pp. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. Museum of Art, 1993), 63-66, 114, (repro.). That may be supported by the fact that according to Vasari Bronzino made a portrait of a daughter of Matteo Sofferoni as well (fig. Mannerism and Masks: Bronzino's Portrait of a Young Man Mannerism: Bronzino (1503-1572) and his Contemporaries is based upon historic information and may not be currently accurate or complete. The Portrait of a Young Man in a Red Cap, the Portrait of Lorenzo Lenzi and the present portrait all depict men holding letters or books, a motif that had been well-established in Florentine portraiture and adapted from Northern painting of the fifteenth century. Clapp. Excellent, Worchester Art Museum, March 22-April 22, 1951, no. Florentiner Manierismus,. Agnolo Bronzino - 85 artworks - painting - WikiArt.org This portraitamong Bronzino's most arrestingwas painted in the 1530s. [1] The work has been related to the very similar figure of . Two important representatives of the movement in northern Italy were Parmigianino (15031540)active in Parma, Bologna, and Romeand the Venetian artist Jacopo Tintoretto (15191594). di alessandro Allori- Seconda parte- Les portraits,, An Original file (577 720 pixels, file size: 253 KB, MIME type: image/jpeg). File:Bronzino (Agnolo di Cosimo di Mariano) - Portrait of a Young Man Politics, 15121570, exh. Indianapolis, February 14-March 28, 1954, no. It is based on Bronzinos official portrait of the Duke of 1559, but is unlikely to have been painted by Bronzino or his assistants.Prior to Medici rule, Florence had been a republic. New York: The Metropolitan Museum of Art, 2000. Museum, 1947), 10, (repro.). What's in a Face? | The Metropolitan Museum of Art de Exposition de tableaux anciens provenant de collections particulieres, exh. Jan. 21, 2010. 99, p.104. fig. please e-mail, Agnolo di Cosimo di Mariano, called Bronzino. Palazzo Mozzi, Florence, by 1841-at least 1855 [1]; With Sir George This article about a sixteenth-century painting is a stub. This is a portrait of Cosimo I de Medici, Grand Duke of Tuscany, at the age of 40. de Lopera completa del Bronzino (Milan: Rizzoli, 1973), no. 246-48. 1) ca. Portrait of a Young Man with a Book - Wikipedia 3). Agnolo di Cosimo (called Bronzino) was the leading painter of mid-16th-century Florence. Carlo Falciani in Renaissance,Christies, 28 January, 2015, New York, lot. , exh. Vasaris design for a decorative painting in the Palazzo Vecchio illustrates the mythological references and complicated allegories in vogue among the Florentine elite (1971.273). Paris, April 23- May 24, 1913, no. It's a statue of Bacchus, god of wine, who, in Renaissance art, is the leader of a mad, drunken crew. Firenze: ossia descrizione di tutte le cose che vi si trovano degne Nelson Gallery of Art and Mary Atkins Museum of Fine Arts, 1949), 42, (repro.). Bronzino - Portrait of a Young Man Part 1 National Gallery UK Italian File : Agnolo Bronzino - Portrait of a Young Man.jpg K1, K10, (repro.). [2] Like the Man in the Red Cap the backdrop to the figure is vacant, but always a perfectly calibrated color. An 81-95; Ibid. He also altered the structure of the room behind the Young Man, providing a more central . , exh. Sexual ambiguity was associated with Bacchus. Typical of Bronzino are the extremely refined execution and graceful silhouette of his Portrait of a Young Man, in which the book, costume, and affected pose of the subject highlight his learning and social status (29.100.16). View the work online Artist: Agnolo di Cosimo (1503-72), who renamed himself Bronzino, was a practitioner of the climactic Renaissance style mannerism,. (Denver: The Denver Art Portrait of a lady in . [10]Vasari-Milanesi, vol. Bronzino was the official portraitist to the court of the autocratic Medici family in mid-16th-century Florence. A91.1 as a copy or replica of the ex-Lanfranconi picture. Shearman, John. The self-possessed aloofness of the sitter and the austere elegance of the Palace interior are hallmarks of the courtly style of portraiture he created for Medicean Florence. (Kansas City, MO: William Rockhill Infamous Roman Emperors: Caligula the Cruel, Meddling with Memlings Portinari Portrait. Category:Portrait of a Young Man with a Book (Agnolo Bronzino It certainly is true for this young man. Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more, The Metropolitan Museum of Art, New York, Collection Online. Interestingly, this painting is not the onlyPortrait of a Young Manby Bronzino. Find more prominent pieces of portrait at Wikiart.org - best visual art database. di alessandro Allori- Seconda parte- Les portraits, Antichita Viva 27, no. The Portrait of a Young Man is one of Bronzino's greatest portraits. The Victorian critic JA Symonds saw Bronzino's "inexpressibly chilly portraits" as marked by the artist's "personal corruption". Mannerist artists loved creating compositional tension and instability. Knoedler by George Eastman (1854-1932), Rochester, New York, August 1913-February 17. , Denver Art Museum, December 17, 1947- Foremost among this group were Andreas students Jacopo da Pontormo (14941556) and Rosso Fiorentino (14941540). Corsini Collection, Palazzo Corsini, Florence, by 1842, New York, Christies, 27 January 2015, lot 129, on loan to New Haven, Yale University Art Gallery, 2016 2020. Painting, The Nelson-Atkins Museum of Giorgio Steininger, 1853), 549. On the other hand, a sense of immediacy is conveyed by the sitter's partly open lips, as if he were about to speak. 12912, 1912-August 1913; Purchased from The National Gallery has endeavoured to make as many images of the collection as possible available for non-commercial use. 21; p. 133, fig. (New York: Metropolitan Museum of Art, 2021). 1503 - 1572. Bronzino Portrait of a Young Man, oil on panel, 1530s (Metropolitan Museum of Art) and Bronzino, Lodovico Capponi, Oil on panel, 1550-55 (Frick Collection) Speakers: David Drogin and Beth Harris. (Florence: Presso Mannerism. At the very least we know that this young man is well-educated! The J. Paul Getty Museum, Malibu, January-July 15, 1991 (no He grasps the reed cross held by the infant Saint John, who wears his camel-skin cloak and We do not know who this lady is. Giorgio Steininger, 1853), 549. Bronzino. This page was last edited on 27 September 2020, at 18:32. They were all members of the Medici, the leading family in Florence during the Italian Renaissance. Mannerism spread between the High Renaissance and Baroque periods. 3 (October 8 (1946), 24-25, (repro.). cat. contorni, 2nd ed. Edi Baccheschi, Catalogue Bronzino (1503 - 1572) | National Gallery, London Portrait of a Young Man as Saint Sebastian (c. 1533) by Bronzino. He is depicted full face against a plain gray background; his eyes look slightly to the right. A2782 and CA2118, March exh. Knoedler: One Hundred Years, 1846-1946, exh. 21October 11, 2021. This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. [9] Matteo Sofferonis connections to the Pontormo-Bronzino-Allori group coupled with his profession make him a plausible candidate for the identity of the sitter in this early portrait by Bronzino. [4] Elizabeth Cropper in Bronzino: Artist and Poet at the Court of the Medci, Carlo Falciani and Antonio Natali, eds. Pontormo Bronzino - Wikipedia Exhibition of Paintings and Prints of Every Description on the Occasion of Portraits by Salviati capture a similar sense of sophistication and formality in their meticulous treatment of the sitters fashionable dress (55.14). His poems are full of references to the homosexual subculture of 16th-century Florence. 1918; Inherited by his wife, September 24, 2010- January 23, 2011, Palazzo Strozzi, Florence), cat. This literary reference is supported by the book (most likely a poetry book) that the youthholds. Masterpiece of the Month, Gallery News (William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts), The Christ Child removes a garland of flowers from his head, symbolising innocence or childish pleasure. Art at Auction 1988-89 (London: Sothebys, 1989), 51, (repro.). 13. Italian Born in Florence and trained by the mannerist master Jacopo Pontormo, Bronzino was a poet as well as a painter and a member of the prestigious Florentine Academy. It appears likepurplish, carved stone. The Jade Sphinx: Bronzino's Portrait of a Young Man of Art, 1996), 179188, (repro.). This portraitamong Bronzino's most arrestingwas painted in the 1530s. 99, p. 101, York: Barrie and Rockliff, 1961), 263. 1168) and a Portrait of a Knight of Rhodes (fig. 27. Firenze: ossia descrizione di tutte le cose che vi si trovano degne Close. During the Met's recent Drawings of Bronzino show, historians using X-ray imaging determined that Bronzino re-drew and re-painted the head extensively at some later date. It entered the Metropolitan Museum of Art in New York in 1929, where it is still held. Ann Tzeutschler Lurie, Angolo Bronzino: Portrait of a cat. New York: Penguin, 1967. Renaissance and Baroque Art, exh. , The Metropolitan Museum of Art, New York, June 17: CARRUCCI JACOPO (detto il Pontormo) Ritratto di uomo in costume fiorentino del Secolo XVI. Leonie Knoedler Sterner, Knoedler Centenary: Selling Art 16 and 32, pp. Scholarly consensus has coalesced around the notion that the painting is an early work by Agnolo Bronzino. A clue may lie in the sculpture of the god Bacchus which is revealed behind the pink curtain. The Portrait of a Young Man with a Book is an oil on board painting by Agnolo Bronzino, executed c. 1540. Royal Collection Trust, Windsow Castle, Fig. The following 14 files are in this category, out of 14 total. Furthermore,with the image of the handsome face floating above three masklike faces, Bronzino reminds us that identityis something like a self-formed mask. 13. , Worchester Art Museum, March 22-April 22, 1951, no. (Colorado Springs: Colorado Springs Matteo was also involved with overseeing the financial administration of the construction of the Mercato Nuovo in the 1540s designed by Giambattista del Tasso. September 24, 2010- January 23, 2011, Palazzo Strozzi, Florence), cat. Thirteen Michelangelo's statue depicts the rage of youth; Bronzino's Bacchus is gentler, but there's the same implication of raw excess. no. (New York: M. See on MetPublications. York, stock book 3, no. (repro.). 'Portrait of a Young Man with a Book' was created in c.1538 by Agnolo Bronzino in Mannerism (Late Renaissance) style. [1] For a recent resume of the opinions on these portraits and superb illustrations, see Miraculous Encounters: Pontormo from Painting to Drawing, Bruce Edelstein and Davide Gasparotto, eds. The following other wikis use this file: Usage on arz.wikipedia.org 20v, National Gallery, London. Young Lady,, Phillippe Costamagna, Osservazioni sullattivit giovanile Michael Churchman and Scott Erbes, High Ideals and Aspirations: The NelsonAtkins Museum of Art, 19331993 (Kansas City, MO: Nelson-Atkins (1830-1905), London, by 1905; Inherited by his Portrait of a Young Man 1530s Oil on wood, 96 x 75 cm Metropolitan Museum of Art, New York Bronzino achieved his greatest distinction in these years as a portrait painter, and by the early 1540s he had become the leading exponent in Florence. (Paris: M. Knoedler & Co., April 23May 24, 1913), 15, (repro.). Exhibition of Paintings and Prints of Every Description on the Occasion of Subject: The youth's identity is uncertain. Agnolo Bronzino, "Head of a young Man," ca. Portrait of a Young Man by BRONZINO, Agnolo - Web Gallery of Art This page is not available in other languages. in Bronzino: Artist and Poet at the Court of the Medci, Carlo Falciani and Antonio Natali, eds. Maurice Brock, Bronzino, trans. Theres one at theLouvreshowing a youth holding a statue. Sections are divided from other sections by horizontal lines. Taylor, Esq. Department of European Paintings, The Metropolitan Museum of Art. There is a portrait by Franciabigio in Berlin said to be of Matteo. Philippe Costamagna, Pontormo, Milan, 1994, pp. Old (repro.). Great Paintings, Colorado Springs Fine Arts Center, July gra. Christie, Manson and Woods, London, July 5, 1912, lot 15, by Knoedler and Co., New Alloris father, Tofano Allori, a spadaio who worked for both Duke Alessandro de Medici and Cosimo I de Medici was the best friend of Bronzino. It likely depicts a literary friend of the artist holding open a collection of poetry. University Press, 1972), 36, 525, 589. Portrait of a Young Man Bronzino (Agnolo di Cosimo di Mariano) The Holy Family with the Young Saint John the Baptist Andrea del Sarto (Andrea d'Agnolo) Jupiter and Juno: Study for the "Furti di Giove" Tapestries Perino del Vaga (Pietro Buonaccorsi) The Miracle of the Loaves and Fishes Jacopo Tintoretto (Jacopo Robusti) You see, alongside art, Bronzinowas a poet too! , exh. Altre interpretazioni lo vogliono per Francesco Salviati o il figlio maggiore del granduca Cosimo de' Medici. 118-121(entry by Davide Gasparotto); and no. Between 2010 and 2011, I had the opportunity to examine Portrait of a young man with a book on fully three separate occasions. Bronzino was the official portraitist to the court of the autocratic Medici family in mid-16th-century Florence. 21 Janet Majure, The Curious Case of the Crimson Tunic, Kansas City Star (September 8, 1991): Alongside the youths style, he poses arrogantly with his hand on hiship. Paintings from the 15th Century to the Present Time, exh. 45, as Pontormo. Find more prominent pieces of portrait at Wikiart.org - best visual art database. His paintings intimate complex symbolism while being sumptuously enjoyable; his masterpiece, An Allegory with Venus And Cupid, in the National Gallery, baffles scholars, but no one can look at it without enjoying its sensuality. no. From The Metropolitan Museum of Art, Agnolo Bronzino, Portrait of a Young Man (ca. Florence and Central Italy, 14001600 A.D. Florence and Central Italy, 16001800 A.D. Venice and Northern Italy, 14001600 A.D. Venice and Northern Italy, 16001800 A.D. Federigo Fantozzi, Nuova guida, ovvero descrizione storico-artistico-critica della citta e contorni di Firenze, Florence, 1842, p. 556: Uomo che scrive.

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